In 2015, Wolf Trap Opera (WTO) embarked on a project to offer time-limited video streams of its productions at The Barns at Wolf Trap. In partnership with
Strauss | Ariadne auf Naxos: April 2020 - September 2020
Gluck/Ullmann | Merlin’s Island and The Emperor of Atlantis: October 2018 - March 2020; rebroadcast June 2020 – December 2020
Gounod | Roméo et Juliette: April 2019 - September 2019; rebroadcast June 2020 – December 2020
Mozart | Idomeneo: October 2018 - March 2019; rebroadcast June 2020 – December 2020
Glass/Moran | The Juniper Tree and Bastianello: March 2018 – September 2018; rebroadcast June 2020 – December 2020
Rossini | The Touchstone: October 2017 – March 2018; rebroadcast June 2020 – December 2020 [archived: see trailer]
Gassmann | L’Opera Seria: March 2017 – September 2017 [archived: see trailer]
Britten | The Rape of Lucretia : September 2016 – March 2017 [archived: see trailer]
Corigliano | The Ghosts of Versailles: March 2016 – September 2016 [archived: see trailer]
Wolf Trap entered into this important initiative for a series of intersecting rationales:
Schedule & Seating Capacity
The seating capacity of The Barns is so limited, and WTO is not able to present its summer festival productions in a repertory (alternating productions) schedule. Therefore, every season there are colleagues and fans who are not able to attend a performance. The streamed performance allows these constituents to see a representation of the critically acclaimed work that WTO does at The Barns.
Expanding the Canon
WTO is known for championing rare and under-performed gems of the repertoire. The ability to see these rare works is an important tool for companies around the world who might be considering producing them.
The Young Artists of the company and the exciting emerging professionals of our artistic teams now have an opportunity to share their work with more people, affording them an important career development tool.
Tantalizing New Fans
While video is not as compelling as the live performances that are an integral part of the opera experience, potential audience members are increasingly looking to digital media to sample art forms before they buy. The WTO stream gives curious music lovers an opportunity to experiment at low risk before investing time and money.